Korean traditional characters found in the literature
Character
- Year of Production
- 2021
- Content Type
- Character
- Target Age
- all
- Product Type
- Others
- Production Stage
- IP
- Detailed Genre
- Edutainment
Summary
Joseon's clock 'Okru', which remains only in the literature and is lost in real life, and a traditional Korean character that was newly designed by restoring the character in the Okru
Based on the literature, it was designed with Korean emotions and emotions in consideration of cultural characteristics and material colors.
Characters are being developed as traditional Korean character products (figures, key rings, postcards, hanboks, etc.) as envoys, Jangsu (general), 12 gods and four gods of Eastern thought, and can collaborate with various products or contents.
'Sasaeng' refers to the blue dragon, white tiger, juche, and Hyeonmu, which symbolize each defense in East Asia. It is also called Saseo (four 獸) or Sasang (four 象). They are considered to be in charge of the defense of the east, west, south and north, and the seasons of spring, autumn, summer, and winter, respectively. It has the meaning of safety, health, and blessing.
"Twelfth God" is an animal that meets each year of birth and appears in East Asia, and there are similar forms of traditional culture around the world. It becomes a content material for various genres and is highly utilized as souvenirs and goods.
The "Lady of the House" character is a traditional fairy character that utilizes oriental beauty that is difficult to find in the past, and it is possible to collaborate with phrases such as figures, postcards, stickers, and beauty products.
1. Duodenum (rat, cow, tiger, rabbit, dragon, snake, horse, sheep, monkey, chicken, dog, pig)
2. Four Guardians (Cheongryong, Baekho, Jujak, Hyeonmu)
3. Fairy Award (Fourth Lady)
4. the warrior's (general) award
Based on the literature, it was designed with Korean emotions and emotions in consideration of cultural characteristics and material colors.
Characters are being developed as traditional Korean character products (figures, key rings, postcards, hanboks, etc.) as envoys, Jangsu (general), 12 gods and four gods of Eastern thought, and can collaborate with various products or contents.
'Sasaeng' refers to the blue dragon, white tiger, juche, and Hyeonmu, which symbolize each defense in East Asia. It is also called Saseo (four 獸) or Sasang (four 象). They are considered to be in charge of the defense of the east, west, south and north, and the seasons of spring, autumn, summer, and winter, respectively. It has the meaning of safety, health, and blessing.
"Twelfth God" is an animal that meets each year of birth and appears in East Asia, and there are similar forms of traditional culture around the world. It becomes a content material for various genres and is highly utilized as souvenirs and goods.
The "Lady of the House" character is a traditional fairy character that utilizes oriental beauty that is difficult to find in the past, and it is possible to collaborate with phrases such as figures, postcards, stickers, and beauty products.
1. Duodenum (rat, cow, tiger, rabbit, dragon, snake, horse, sheep, monkey, chicken, dog, pig)
2. Four Guardians (Cheongryong, Baekho, Jujak, Hyeonmu)
3. Fairy Award (Fourth Lady)
4. the warrior's (general) award
Company Profile
Immersive Content
DALBBANG CREATIVE Co.,Ltd.
Dalbbang Creative is a 3-year-old startup that plans spaces based on storytelling.
We pursue spaces with stories, and we breathe life into spaces through stories.
By combining various experiential technologies, we amplify the emotion of the story and provide a new level of spatial experience.
Some may still be unfamiliar with space planning and space storytelling, but the reason we put stories in space is because we hope that the people who stay there will be happier.
“We create spaces with stories and spatial stories. “It’s space telling.”
We pursue spaces with stories, and we breathe life into spaces through stories.
By combining various experiential technologies, we amplify the emotion of the story and provide a new level of spatial experience.
Some may still be unfamiliar with space planning and space storytelling, but the reason we put stories in space is because we hope that the people who stay there will be happier.
“We create spaces with stories and spatial stories. “It’s space telling.”
